islamic manuscript examples in chapter 10

This handsome, large-format volume presents eight essays written in conjunction with an exhibition of the rich collection of Islamic books at Indiana University. ~Journal of Religious & Theological Intormation

Her introductory essay could serve as course reading for classes on art history or Islamic culture and civilization it stands alone as a readable, attractive, and extensively footnoted summary of the distinctive artistic character of Islamic book arts thorugh the centuries. It is Gruber's scholarship that makes this book a desirable addition to a reference or circulating collection. ~Journal of the American Oriental Society Besides simultaneously enriching the corpus of Islamic books and the study of Islamic book arts, this handsome volume does Indiana University proud. Not so here, however, where tight editorial control was clearly exercised, and epistolary style uniformly regulated. ChoiceĬollected studies often are uneven and inconsistent affairs, reflecting the distinctive perspectives and expository idiosyncrasies of their various contributors.

Lower-level undergraduates through faculty/researchers general readers. This book is a pleasure to hold and to read. Noteworthy are the more than 100 color reproductions of very high quality and often-large scale. Because such late manuscripts are less frequently studied by scholars, these essays make a valuable contribution. Other essays discuss a 19th-century illustrated Turkish prayer manual, the earliest (18th-century) official Turkish printed books, a cartographic volume from the earliest Ottoman press, a 19th-century condensed Shahnama made for a Sikh patron in India, and a late-19th- or early-20th-century amuletic manuscript from northern Nigeria. Particularly interesting and unusual are essays on Ruth Adomeit's collection of miniature manuscripts and on the miniature volumes in Indiana. Other essays treat topics dealing mostly with the early modern period. The introductory essay by editor Gruber provides a concise overview of the field from the time of the Prophet Muhammad to the modern period, including general remarks on the important place of calligraphy and painting in books within Islamic culture.

Islamic manuscript examples in chapter 10